A multitude of ‘favourite’ photographs/photographers; some real live ones; LIP mag’s all-new editor giving out basic info on submitting work to LIP mag’s all-new mag.
Plus Elizabeth Gowing’s new poem Exposure. LIP members are invited to submit a photographic interpretation of …
Exposure
We are the markmakers;
we come here trailing muck and mists
of our breath in the winter air.
Scuff and trodden dirt of shoe,
scurf’s blown highlights on dark-collared coats,
umbrellas dripping braille by the door;
your fierce heels step and
stop at every frame to form
haiku on the floor;
across the gloss of catalogues
our hands spread smear and smudge,
thumbnails ragged at edge of page.
We all bring our latent images – her lips
await his cheek;
his glass of wine, her lips;
girls’ faces rouged to patching plaster,
and plaster pocked and picked
to an image of a girl.
Light as the scribble of felt-tip pen,
light is the frownline creasing as we squint;
light is the crystalled silver halide stain;
it holds you here.
Tread softly, feel yourself explored
in prints on snow.
Louise Forrester, curator of & our host at Viewfinder writes:
The Viewfinder is inviting members of London Independent Photography to participate in our first workshop exploring the relationship between photography & poetry.
Please take Elizabeth Gowing’s poem as inspiration for your own photographs—this can be as literal or lateral as you like.
Bring your own photograph/s to the February satellite group meeting (Wednesday 17 Feb 7-9pm) & see how others found this challenge.
Please also email them to louise@viewfinder.org so we can publish them online. We’ll create a dedicated page to publish a selection of the photographs taken.
Worth a shot!