FLIP#62: Elsewhere
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About the Magazine
fLIP is published three times per year and each issue has an overarching theme. Our primary aim is to showcase work from our membership of over 300 photographers, and to engage readers in a wider dialogue concerning diverse approaches to photography. The magazine is funded by member subscription fees and contains no advertising. fLIP offers a truly independent voice for photographic practice in London!
Call for Submissions
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CURRENT ISSUE:
WINTER 2025
THEME: ELSEWHERE
NEXT ISSUE:
SPRING 2026
THEME: SPRING
DEADLINE: 6 FEBRUARY
SUMMER 2026
THEME: QUEER
DEADLINE: 5 JUNE
Sarah Ainslie is a freelance photographer based in London’s East End. The area is an inspiration
for her work whether on the streets, down the river or in the strip pubs, alongside her working with theatre
companies, collaborating and facilitating community projects.
Robin Maurice Barr’s primary interest is taking square format abstract photographs of buildings.
He also photographs overlooked aspects of towns and cities in the North of England where he now lives.
Robin occasionally takes obscured images of people.
instagram: @NoGreatHurry and @robin_maurice_barr
Mike Cookson is a Scotland-based photographic artist and a trustee of Stills Centre for Photography
in Edinburgh. His work explores experiences of the ‘man-altered’ landscape and how these can
be related to real and imagined memories and narratives.
www.mikecookson.com. instagram: @mikejcookson
CJ Crosland is a self-taught photographer and member of
international collective Full Frontal Flash. Hooked on photography since 2010 and is
best known for the flash street photography series Fishing With Dynamite.
www.cjcrosland.com
Karolina Maria Dudek is a Polish visual artist based in London, her practice explores mortality,
memory, and the human condition. Her work spans photography, video, installation, and site-specific
interventions. It often examines decay, loss, and identity, reflecting a deep engagement with life’s
transient nature.
Mary Lynne Ellis (BA Arts and Design, Camberwell), arts activist and relational psychotherapist, works in photography and collage. Frequently focusing on themes of suffering and resistance, her images as metaphors open up perceptual
possibilities for ambiguity, complexity, and new perspectives.
www.inquiringimages.com
Joanna Furniss’s practice is led by intrigue and imagination, from exploring what might be hiding behind a battered door on a quiet London street to embarking on a mission to find an alternative solar system. She enjoys writing, and photobook and zine-making.
instagram: @joannafurniss www. joannafurniss.com
Fred Barrington has been taking pictures since he first went to college, back in the good old days of1971, but has been far more prolific since he retired (early!) in 2008, at the ripe old age of 55.
www.fredbarrington.com
Elizabeth Brown’s primary medium is photography. She works digitally but also experiments using alternative methods with cyanotype and chlorophyll and extends the boundaries of photography through printmaking at @runningjump24.
Her image in this issue was taken on walks with @urbanlens3.
Dilyana Tankova is a London based photographer exploring memory, home, and ties to the natural world. Blending digital
and analogue through historical printing techniques, she creates a bond between present and past.
Her practice centres on heritage, ecology, and enduring bonds formed through place and time.
instagram: @dilyanatankova www.dilyanatankova.com
Paul Hill was a newspaper reporter and climbing instructor before he became a photographer in 1960s. A founder member of LIP and professor of photography, he set up Britain’s first photographic workshop. His books Approaching Photography and Dialogue with Photography are still in print, an essential reading on photography.
He received an MBE for services to photography in 1994.
www.hillonphotography.co.uk
Guest image selector: Elizabeth Brown